
Carolyn Bowman (Mathew Murphy)
In an attempt to attract new audiences to new plays and musicals, a pattern has begun to emerge. Shows are being conceived by a new generation of producers, writers and composers who are determined to cater to the young audiences who only recently have begun to form. There is clearly a new generation who are no longer interested in the sort of material that delighted and entertained their parents. Once upon a time, those folks were young, and they helped invent something called musical comedy, which brought wit, melody, and creative staging to Broadway. Operettas, comic-star vehicles, and even stories with emotional weight popped up every season, and it was all labeled “the golden age” by historians of the period.
We’ve now arrived at a new age that has as yet to be named, but it has relaxed even the unofficial dress code for its audiences, and you won’t find even one gent in a suit and tie and not more than a handful of women in a long or short skirt. No, the new look for ladies seems strictly sneakers, sweaters, and kneeless jeans.The new material has changed too. No more melody or mirth, no more flavorful lyrics. All the singers are aided by amplified sound to the point where 90% of the lyrics are totally lost usually until the song’s title (raised an octave and several decibels) blasts to a big finish with a final vibrato calling for hoots, hollers, and lots of screams and whistles. We’ve heard that sound before, but strictly at rock concerts until now.
Brooks Ashmanskas plays the lead in the new musical he will direct called “Bombshell” starring Marilyn Monroe. He’s finally found a role that deserves his Star billing. He’s been featured in many hit comedies, and it is always a joy to be in his company. Robyn Harder is cast as Ivy Lynn playing Monroe herself. She has the difficult job of capturing the film star, yet she manages to make Ivy very real as well. With the help of a smashing blonde wig, she looks amazingly like Monroe the Movie Star yet manages to make a human being of her. She’s easy to believe, has star quality of her own, and she can sing and dance with dazzling ease.

Megan Kane, Brooks Ashmanskas, Robyn Hurder, Kristine Nielsen, Krysta Rodriguez, and John Behlmann (Mathew Murphy)
Others who add glamour and talent to very skimpy material that furthers the twisted turns of the plot as it unravels include Krysta Rodriguez, Kristine Nielsen, and Bella Coppola who play the various actors who populate the hard to follow story of how “Bombshell” became “Smash,” which is not a notable story in real life. Big Star Monroe never did appear in a film called “Bombshell.”
Bob Martin and Rick Elice with lyrics by Scott Wittman and Marc Shaiman and Music by Mark Shaiman have supplied all the lively musical arrangements to director Susan Stroman and choreographer Joshua Bergasse who have made great use of their attractive company of singer/dancers to supply whatever energy this very ordinary show possesses. Again, an undemanding audience treated the cast to a rousing reception. No one was discussing the material as they poured out onto 45th Street in a jolly mood. I narrowly avoided stepping on a small boy who was tying his shoelace. A few of us over 30 looked quizzically at each other, and two elderly ladies I helped up the aisle looked confused by all the commotion caused by their fellow viewers. I spoke to one of them as we reached the lobby. When I asked her if she’d enjoyed it, I had the impression she thought it would be rude if she said “no” so she said she thought it was all a bit loud. Then she turned to someone on her left and dismissed me. Enough said. It’s a lively romp but it’s not for everyone.